Rating: ★★
Here comes another sore attempt to take on the old tale of Frankenstein.
I,
Frankenstein (2014), directed by Stuart Beattie (
G.I. Joe: The Rise of Cobra), is a modern twist on
the old novel Frankenstein (Mary Shelley, 1818) which simply features a sewn-up dead man
brought back to life by a mad scientist. Beattie's modern take is based
on the graphic novel I, Frankenstein by Kevin Grevioux. The film
features what could be, a reasonable storyline but becomes so far-fetched and yet predictible at the same time, with a ton of action scenes thrown in.
Frankenstein's monster, (Aaron Eckhart,
The Dark Knight) which is given the name Adam, is being hunted by demons, lead by Prince Demon, Naberius (Bill Nighy,
Love Actually).
Naberius's evil plan is to capture Adam and discover the dark secrets
behind the creation of a living dead with no soul, so he can give life
to thousands of corpses ready and waiting to be posessed by demons. With
the help of the Gargoyles, Adam becomes aware of Naberius's plan and
seeks to destroy his chances, whilst saving human pretty scientist Terra (
Yvonne Strahovski, Dexter).
The ending of the film is so predictable that you know it's coming ten minutes after the film has started.
In this version of Frankenstein,
he is presented moreso as a hero than a monster. This is not
exactly the character that we're used to, but all is well and good in
the reigning super hero movie generation we are living in. It's the
looks of Frankenstein that is one major annoyance in this movie. Just to
prove it to you, here is what we all know and imagine when we think of
Frankenstein:
And here is Stuart Beattie's version:
Eckhart
simply looks like an edgier version of himself with a few scars painted across his
face, not the living dead who was sewn together and has been alive for
over 200 years. To make his character more believable he needs to be
more monster-like, so that the audience could then empathise with him and his so-called life.
The demons could also look a bit
more horrifying as some of them are quite laughable when they transform,
reminds me more of a bad Doctor Who episode.
However, the CGI in the
rest of the film is higher quality than what is expected in such a film.
The gargoyles especially are well done, looking very realistic and powerful. Beattie has clearly realised the CGI in this movie plays the key part, therefore packing it full of action to entice the action loving, masculine audience. However, it all just becomes too much and leaves you wanting more from the storyline.
It's
a shame this film has such a ludicrous storyline because with the
casting of such great actors Aaron Eckhart and Bill Nighy, all is lost. I, Frankenstein is merely an adequate film, yet with the open ending of the film there is a chance for a sequel so
we can only hope that it gets better.